Aroha
Sa re Ga Ma Pa dha Ni Sa′
Raga Explorer · Early morning
Bhairav भैरव
An early-morning raga shaped by the weight and slow oscillation of komal Re and komal Dha.
Bhairav aroha
Keep komal Re and komal Dha unhurried.
- SaC4
- reC♯4
- GaE4
- MaF4
- PaG4
- dhaG♯4
- NiB4
- Sa′C5
Scale map
CSaC#reD·D#·EGaFMaF#·GPaG#dhaA·A#·BNi
Voice phrase coach · private on-device analysis
Sing the Bhairav phrase.
Listen to the selected outline, wait for the two-beat count-in, then sing it without adding or replacing a swara. The score checks fixed pitch positions and timing; it does not judge ornament or gharana-specific intonation.
Ready
Choose a phrase and begin when your voice feels relaxed.
- GaE4
- MaF4
- reC♯4
- SaC4
- NịB3
- dhạG♯3
- NịB3
- SaC4
- reC♯4
- GaE4
- reC♯4
- SaC4
Raw microphone audio is never recorded or uploaded. Only the numeric result is saved in this browser. This equal-tempered score is a practice aid; it does not judge ornament, vocal health, or gharana-specific intonation.
Avroh
Sa′ Ni dha Pa Ma Ga re Sa
Pakad cue
Ga Ma re Sa · Nị dhạ Nị Sa
Swara map
Komal Re and komal Dha; all other scale positions are shuddha.
Beginner focus
- Sustain komal Re and komal Dha instead of touching them as passing semitones.
- Practise below 72 bpm before adding ornament.
- Return to Sa with weight rather than a bright major-scale finish.
Common mistakes
- Confusing Bhairav with Bhairavi, which uses four komal swaras.
- Playing komal Re and Dha mechanically with no room to settle.
- Using a cheerful, fast scale articulation that erases the raga’s gait.
Reference and variation
This page uses a widely taught beginner outline. Raga treatment, characteristic phrases, intonation, and vadi–samvadi descriptions can differ across gharanas and authorities. Compare the notation with listening and your teacher’s approach.
Report a sourced correction or lineage variation.
Editorial and interactive check completed · Specialist teacher review not recorded · Updated 25 August 2026