Aroha
nị Sa ga Ma Pa ni Sa′
Raga Explorer · Late afternoon
A warm late-afternoon raga with a pentatonic ascent and a complete Kafi-coloured descent.
Bhimpalasi aroha
Start from lower ni and omit Re and Dha on the way up.
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Aroha
nị Sa ga Ma Pa ni Sa′
Avroh
Sa′ ni Dha Pa Ma ga Re Sa
Pakad cue
nị Sa Ma · ga Ma Pa ni Dha Pa · Ma ga Re Sa
Komal Ga and komal Ni. Re and Dha are omitted in the basic ascent and return in descent, often approached from Ga and Ni respectively.
This page uses a widely taught beginner outline. Raga treatment, characteristic phrases, intonation, and vadi–samvadi descriptions can differ across gharanas and authorities. Compare the notation with listening and your teacher’s approach.
Hindustani Raga Index: Bhimpalasi
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Editorial and interactive check completed · Specialist teacher review not recorded · Updated 25 August 2026